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Atlanta Chastain – The Monkees 45th anniversary tour

Atlanta Chastain – The Monkees 45th anniversary tour

Chastain Park in Atlanta is a perfect venue to see any concert, and I’ve never had a bad experience there. Of course, the concert experience is almost unrecognizable from my early years. On the positive side, it’s a scene that engenders no hesitation whatsoever about allowing children to participate. On the negative side, it’s become completely sanitized. Clothing is casual without being at all transgressive. Concessions are outrageously expensive. It’s a serious hike up to the one small area where smoking – of cigarettes – is still allowed. Next they’ll ban drinking. People in line were being told that their tables and lawn chairs didn’t meet the new measurement rules…

But live music is live music and it was a hot summer night in Atlanta. The small outdoor arena swarmed with fireflies, and the mood was hopeful. As you might expect, the Monkees drew an audience of young and old alike, but heavy on fairly well-preserved couples in their 40’s to 60’s. We stood in line with a dreamy-eyed woman in her early 40’s, escorting her two young daughters. Right next to us was a Garcia-looking dad with a Wiccan-looking wife, who had brought their enthusiastic daughter, a rare happy Goth. To one side, a small group of middle-aged women dressed young danced in moves reminiscent of the early 60’s.

At one point, John and I were doing the Twist. It wasn’t John Travolta and Uma Thurman, but it wasn’t bad (grin).

I wondered why only three of the Monkees were touring – what happened to the fourth? No need, with all that moolah from his mom’s invention of Liquid Paper? Were they going to be able to this pull it off? They had to be in their mid-sixties, and they hadn’t toured in at least a decade. I hadn’t realized that this was the first date of the tour, and I suspected that it was probably going to take them a few concerts to get back into the swing. Still – I love the Monkees, and they didn’t have to do much to meet my expectation bar.

Monkees Then
Monkees Now

I just wanted to get a good look at them, and hear my favorite songs: “(I’m Not Your) Steppin’ Stone), “She,” “Listen to the Band,” “Last Train to Clarksville,” “I’m a Believer,” “Valleri,” “Words,” “You Just May Be the One,” and “Daydream Believer.” I was also hoping they would still have that goofy feel. Davy Jones, Micky Dolenz and Peter Tork each have characteristics that I enjoy, and even without Michael Nesmith rounding out the resonant quaternary, I was hoping that it would be campy and light. The trinity, like all trinities, was unstable, but they could have compensated with some better comedy. The things they did – such as the “intervention” when Micky wouldn’t stop playing the drums – weren’t in that off-hand style that made them adorable. It’s unlikely that it was a mistake when they said “hello” to Detroit instead of Atlanta, but it went flat. Things that might seem cute and endearing when you’re young end up sounding a bit odd later. I kept thinking of that somewhat ‘off’ optimism that one sees in people like William Shatner or Ringo Starr. It didn’t help that Davy Jones is starting to look a little like Tom Jones. There was a kind of sad dreariness to it, but that’s all superficial. I was there for the happy feeling that their music gives me.

This was Ben’s first concert, and he wasn’t pleased when the concert didn’t start at 8 as advertised, but I explained that you just never know with concerts…

A big screen was up the whole time showing bits of the show, and various other video. At first I felt really happy to see these clips. At first. Then I started noticing things. There were more issues about multitudes of girls, and the evident difficulty of choosing among them, than in “Fellini’s 8-1/2.” Girls mooning, girls chasing them, girls dancing for them (even what looked like an actual harem), girls with animated shiny stars in their eyes. Even the actress that played Cat Woman on “Batman” was there! A paternalistic idealization and objectification of women, ran alongside with an undercurrent of resentment. Well, I suppose that went with the time; the show aired from 1966 to 1968. I was only a little kid and must just have seen them in reruns. I also hadn’t remembered the incorporation of advertising into the show itself. I do prefer the Monkees to that horrible Cool Aid pitcher monster, and Kellogg’s cereals must have been a better choice than some others, but it was odd.

“Valleri” was perfect, and it got the best response from the audience, too.

They used “Listen to the Band” to introduce everyone that was playing for them, and that was well-done too.

There were a couple of good songs that I hadn’t known before, and there was a special treat. I didn’t know that “Different Drum” was written by Mike Nesmith for Linda Ronstadt! I wish that I had caught the name of the woman who sang it at the concert. She was fantastic!!! Older, heavy-built, with a perfect delivery that somehow made more sense coming from an older, experienced woman. She only sang the one song, but I wished she would have done more. Please comment with her name if you have it!

Everyone knows that the Monkees were a made-up band, but they did sing some great songs. What I didn’t know was that they had some really bad songs, too. They played too many of them. Things turned bad after the intermission, and there was a run of songs that were truly tedious.

I kept waiting for Micky to remember how to use a microphone. He has a lot of style, but there is wide variation in his voice. When he was belting things out, he held the mike too close, and when he went softer, he held it too far away. Whoever was mixing needs to be told to let the voices blend more – and take advantage of the harmonies. None of these are solo singers – they work better together. The voice mikes were drowning out the band, and it was increasingly unpleasant on the sinuses. People were holding their foreheads like Felix Unger. Not since I heard Flock of Seagulls at a beach concert had I heard such bad mixing. If they would have just fixed that, we would have waited for the last part of the set.

Ben said he couldn’t take it any more, and John and I had to agree. So I don’t know if they performed the songs I was really longing to hear: “(I’m Not Your) Not Your Steppin’ Stone,” “She” and “Last Train to Clarksville.” I didn’t know if they were even going to sing them, and it wasn’t much fun anymore.

So I picked up my tee-shirt, and followed my menfolk to the car. Maybe I’ll go ahead and pick up a copy of the movie Head. I never saw it, and I’ll bet it would seem even more surreal now. Jack Nicholson? Terri Garr?

(I’m Not Your) Steppin’ Stone

She

Last Train to Clarksville

And They All Look Just the Same

And They All Look Just the Same

This one’s for Debbie, and you know why:

Little Boxes, by Malvina Reynolds

Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
There’s a green one and a pink one
And a blue one and a yellow one,

And they’re all made out of ticky tacky
And they all look just the same.

And the people in the houses
All went to the university,
Where they were put in boxes
And they came out all the same,
And there’s doctors and lawyers,
And business executives,

And they’re all made out of ticky tacky
And they all look just the same.

And they all play on the golf course
And drink their martinis dry,
And they all have pretty children
And the children go to school,
And the children go to summer camp
And then to the university,

Where they all are put in boxes
And they come out all the same.

And the boys go into business
And marry and raise a family
In boxes made of ticky tacky
And they all look just the same.
There’s a green one and a pink one
And a blue one and a yellow one,

And they’re all made out of ticky tacky
And they all look just the same.

Big Wheel Break Time!

Big Wheel Break Time!

SING it, honey!

“Big Wheel” Tori Amos

I’ve been on the other side
got my lips smacked
now they’re dry then you
call me call me in
You think I am your possession –

You’re messing with a Southern girl
But my recipe is on
With your stale bread
Yeah it’s hot but
Baby I don’t need your cash
So baby maybe I’ll let your

Big wheel turn my fantasy
Don’t you throw your shade on me
I’ve been drinking down your pain
I’m gonna turn that whiskey into rain
Wash it away
Wash it away
Wash you away boy
Let’s go

I’ve been on my knees
But you’re so hard to please
Did you take me take me in
So you are a superstar
Get off the cross
We need the wood

Somehow you will rise
But with attitude
I know honey you’re a pro
But baby I don’t need your cash
Momma got it all in hand now

Big wheel turn my fantasy
Don’t you throw that shade on me
I’ve been drinking down your pain
You go turn that whiskey into rain
Wash it away
Wash it away boy
Wash you away now

Gimme-8
Gimme-7
Gimme-6
Gimme-5
Gimme-4
Gimme-3
I-I-I am a M-I-L-F
Don’t you forget
M-I-L-F
Don’t you forget
M-I-L-F
Don’t you forget
Baby I don’t need your cash
So baby maybe I’ll let your

Big wheel turn my fantasy
Don’t you throw that shade on me
I’ve been drinking down your pain
I’m gonna turn that whiskey into rain

Big wheel turn my fantasy
Don’t you throw your shade on me
I’ve been drinking down your pain
I’m gonna turn that whiskey into rain
I’m gonna turn your whiskey
Boy into rain
Wash you away
Wash you away boy
Wash you down
Big wheel

Hope You’re Safe and Sound

Hope You’re Safe and Sound

This song about Persephone is haunting me, seeping into the interstices between all my favorite Christmas music. I think I’ll have to add it to the list.

“Persephone” by Kula Shaker

Deep below the world Persephone
Sings of love forgotten
Calling out across the river – Persephone

Deep below the world Persephone
Waits upon her rescue
Mother Nature’s only daughter – Persephone

She saw the dawn with the light in her hair
Twisted and torn she was taken from there
Now she’s down down down

Oh my dear Persephone
Your heart sings a melody
Hope you’re safe and sound
underground

Now she’s gone, the world is calling
Calling for her loved one
Calling out across the river – Persephone

She saw the dawn with the light in her hair
Twisted and torn at the sight of her there
Now she’s down down down

Oh my dear Persephone,
Your heart sings a melody
Hope you’re safe and sound
underground

See how the winter has frozen the poor
Come back Persephone and be reborn
Come back my darling,
We miss you, my darling
Return turn turn, return

Deep below the world – Persephone
Sings of love forgotten
Hear her song, the willow weeping
Persephone – Persephone

Oh my dear Persephone
Your heart sings a melody
Hope you’re safe and sound
Yes we hope you’re safe and sound

Safe and sound

“I believe that imagination is stronger than knowledge – myth is more potent than history – dreams are more powerful than facts – hope always triumphs over experience – laughter is the cure for grief – love is stronger than death.” ~ Robert Fulghum

Childhood Music, Take One

Childhood Music, Take One

I’ve been thinking about narratives, how people create stories about themselves – even (maybe even especially) private stories.

I’m not sure whether it’s our culture, or if it’s just me, but music anchors me even more than sight or touch. It rivals smell for the primal whole-self response. I had an idea to free-associate, to simply list the music I strongly recall enjoying. For almost a minute, I had the illusion that that I could make a whole list. I suspect that if I did this again, some songs would stay and others would fade back, replaced by others through a different train of constructive memory.

Tonight, at this moment, here is the music that I recall enjoying, as it occurs to me in a roughly autobiographical, chronological order.

All Through the Night
Star Light, Star Bright
I’m a Little Teapot
Good Morning to You
Oh, What a Beautiful Morning
Home on the Range
Sweet Betsy from Pike
I’ve Been Workin’ on the Railroad
Oh, Susanna!
Au Clair de al Lune
Rose, Rose and Up She Rises
I Know an Old Lady Who Swallowed a Fly
My Knapsack on My Back
Funiculì, Funiculà
Cool, Clear Water
Erie Canal
Shulamite Maiden
Tsjaikovski
Sleeping Beauty
When the Bell in Lighthouse Rings Ding Dong
Kookaburra
Oh, How Lovely is the Evening
Silent Night
Hark the Herald Angels Sing
Have You Seen the Ghost of John?
Inchworm
Cruella deVille (101 Dalmations)
Rachmaninov
Someone to Watch Over Me
The Beatles
In the Summertime
Forward, You Witnesses
There Was a Rooster
Joy to the Word
If You Go Away
Oliver!
Where Do I Begin? (Love Story)
Chopin
Hushabye Mountin
West Side Story
The Mama’s and the Papa’s
The Sound of Music
Godspell
Cat Stevens
South Pacific
Jesus Christ Superstar
Beethoven
The Doors
Jackson Five
Tony Orlando
The Carpenters
Love is Blue
The Locomotion
Classical Gas
Layla
I Think I Love You – The Partridge Family
The Monkeys
Seasons in the Sun (and side b) – Terry Jacks
Helen Reddy
Simon and Garfunkel
John Denver
American Pie
Laughter in the Rain – Neil Sedaka
My Eyes Adored You
The Eagles
Barbra Streisand
Elton John
Tom Jones
The Bee Gees
Olivia Newton-John
Grease
ABBA
Chicago
Steve Miller Band
Crosby Stills Nash and Young
Rolling Stones
The Who
My Sharona
Maggie May / Rod Stewart
Starry Starry Night
Queen
Boston
ELO

Looking back over the list, I’m convinced that it must be so off, in a number of ways. I also laughed. It does get better than this eventually (smile).

Have you ever thought about the music that resonated with you at a young age?

Bring Them Home

Bring Them Home

Seeing this much love can only bring higher awareness… and tears.

What are we fighting for? Why do greed and corruption and needless death still triumph over love and caring and thriving?

Have we learned nothing at all?

Bring them home. Bring them home. Bring them all home – everywhere.